Xavier Veilhan, major artist of the contemporary French scene whose exhibition at the Château de Versailles (Versailles Veilhan, 2009) has contributed to greater international recognition, developed since the late 80s, an approach to multiple forms: sculpture, painting, environment, show, video, photo … which falls between formal classicism and high technology. Art is for him « a vision tool through which we must look to understand our past, our present and our future. » The concept of presentation is at the heart of its approach. Veilhan performs well in the form of exhibitions walk like that could do this was through the magnificent gardens of Hatfield House in Hatfield at Veilhan exhibition: Promenade, or living environments ArchitecTones, 2012. He currently presents his latest work Rays, 2012 The Conservera, Murcia in Spain and (In) Balance, a major exhibition at the Phillips Collection in Washington.
Emmanuelle Huynh, after studying philosophy and dance, Emmanuelle received in 1994 a scholarship Villa Medici « Hors-les-murs », is now choreographer and director of the National Center of Contemporary Dance of Anger. As part of the Festival d’Automne in 2012, she showed Spiel at home and Culture of Japan. Emmanuelle evoke for us the issue of occupation of space for a dancer and a choreographer.
The glasses will be occupied by a slender Pomerol 1988 Château Clinet of a flexible Prince Probus 1977, an « Art-maniac » 1963 Francis Darroze, a wealthy white Chassagne-Montrachet 1990 Louis Jadot, Grand Cru in a bubble trapped in the palate. The plates will be filled by Senator Couteaux hare royale, magnificent Saint-Jacques-season tartare, an island on a cream float across the Channel, a county in edge, appetizers and round sweets in farandole.